Every once in a while, you just find yourself reading a book that's trying to be silly. In the late 1980s, that comic was often Excalibur. While Uncanny X-Men, New Mutants and X-Factor were playing up the drama very heavy, Chris Claremont and Alan Davis were playing up the humor of a mutant team in the U.K.. There were some serious parts, but the book found its niche in the fact that it was just fun. For comparison with this week's book, Excalibur #14, let's look at the other mutant titles on the stands. Uncanny X-Men had three issues that featured the aftermath of a devastated team, now missing. Wolverine was tortured by the Reavers, but escaped with the aid of Jubilee. In Wolverine, he had fought vampires in Madripoor. X-Factor is involved in the "Judgement War" on another planet with the Celestials. In New Mutants, the team was journeying through the Asgardian underworld. Excalibur was hopping from one weird dimension to another, and this one was a doozy.
DC Universe has been making waves lately with their exclusive shows Titans and Young Justice: Outsiders, which have been critically well-received. However, a feature of the service often overlooked is the ability to read back issues of various DC Comics.
We're back to the Legion of Super-Heroes stories that hooked me in the 1980's. With the story of the Legion of Super-Villains pretty much finished, we're shifting our view over to the newsstand title, Tales of the Legion. To be honest, I wasn't reading the Baxter title at the time this issue was published. I didn't have easy access to a direct market comic shop. I bought all of my comics from the newsstand. It wouldn't be until about a year later that I managed to snag a few copies at a nearby comic show at a shopping mall. A couple of years later, I would discover a direct market shop in that same nearby town.
As part of the very delayed best of 2018, I'm grouping the honorifics into categories that sometimes don't get explored. The creation of efforts by fans to engage with their passions is a part of the history of comics. It goes back before the Internet with Amateur Press Associations and fanzines. In 2018 I discovered, completely by happenstance, a fan effort that has gone on since 2015, the DC Continuity Project.
At Wal-Marts all over the country, DC Comics makes stories available featuring their greatest heroes. The general purpose seems to be to get comics in the hands of new readers, perhaps even those that do not have easy access to a comic book shop. The general public will read this as "kids," and in some cases, they're not far off. That's why it's disturbing that the original content offered up in Superman Giant #7 is literally twelve pages of Lois Lane being repeatedly tortured and murdered.
Comic book legend George Pérez announced his retirement from comic book work yesterday. In recent years, health issues such as diabetes, heart problems and failing eyesight have scaled back his work and convention appearances. With this announcement, the career of one of the most recognizable and influential creators in comics has come to an end.
I'm bound and determined to get the most out of my Marvel Unlimited membership. When looking for something to review, I looked at the 1980s Defenders that got rid of the "non-team" status of the membership. I also looked at the Marvel magazines of the early 1980s. I took a look at the full list of Marvel titles available on Marvel Unlimited and saw Legion of Monsters catch my eye. That's where I got to here. I didn't know that there was a Legion of Monsters comic. The only memory that I have of the "group" was in a single issue of Marvel Premiere. Actually, it was Marvel Premiere #28 that featured the Legion of Monsters. That sparked me to try and give some of the horror characters that the title gave tryouts. It turns out that aside from the Legion of Monsters, Satana was the only original horror-themed character that got a chance in Marvel Premiere. However, looking at the issues available, the first couple featuring Adam Warlock came to my attention, due to the cover obviously by Gil Kane.
Comic Book Inking is an artform in and of itself. If you don't believe me look at the Machine Man limited series that Barry Windsor-Smith inked and any other comic that Herb Trimpe ever drew. Inkers have long fought for recognition as the artists they are ever since Jason Lee's character was called "a tracer" in Chasing Amy. Inkers can make a bad artist look good and a great artist look bad. The Inkwell Awards take an opportunity every year to educate fans about the art of comic book inking.
Giant Days is quickly becoming one of my favorite regular series. Of course, I still have a little trouble keeping the names of all the characters straight, but reading every issue has become a treat. I was a little late to review the previous issue, which was really good. However, I've managed to get to this one right as it arrived to my inbox.
It's amazing whenever you see Batman go into cosmic or science fiction stories. That's not to say that it's necessarily bad, because sometimes it's really good. It shows the strengths of the character. In the Justice League, we often see Batman in situations that he should not be suited for. Somehow, he manages to show himself to be very adaptable. With Batman and the Outsiders, Batman gave up the more fantastic adventures for those that were more grounded. There were still threats that should have been outside of his skill set. Writer Mike W. Barr proved how adaptable Batman is. Even in the more grounded 1980s, Batman could be taken into space and fight other-dimensional beings. With issue #22, we also saw an artist join that would excel at telling these stories, Alan Davis. It was in that issue we got to see more than the team facing a cosmic threat illustrated by a new artist. We saw the beginnings of the rift between Batman and the Outsiders.
In the 1990s, there was a trend of "bad girls." These were female characters that were usually violent and almost always had costumes that showed more skin than they covered. Lady Death (and most of Chaos! Comics' female characters), Razor, Shi, Glory, and Witchblade were just some of the characters that were the prime examples of this disturbing trend. There may not have been a publisher of super-hero comics in the 1990s that didn't try to ride this trend. Topps Comics, short-lived as it was, even got into the act with Lady Rawhide, spinning off the character into her own title. There were different degrees of the bad girl trend and Lady Rawhide was definitely on the tamer end of the spectrum. However, right there on the cover of her first appearance, Topps looks tobe trying to get in on the trend.
I've had a rough couple of weeks. The thing is that comic book creators have given me some lessons that help me cope with rough times like this. A professional might take issue (no pun intended) with some of these lessons, but they're what gets me to the next stage of dealing with rough patches. Legion of Super-Heroes is one of those titles that has always been something that I come back to over and over. One run that I really enjoy is referred to as the Five Years Late Legion, specifically the first 38 issues, shaped primarily by Keith Giffen and Tom and Mary Bierbaum. It was extremely dark in that the Earth had been covertly conquered by the Dominators. The Legion had disbanded, In almost every issue, there was some level of death and destruction. It'sonly fitting that this story should end with the destruction of Earth, even after it had been liberated with the help of two Legions.